Hot vs Haute Couture
The tension between raw sensuality and refined structure, resolved through exacting construction.
Head Designer
Trina Mira Ngenedresses self image.
Fashion is not the last thing you put on before leaving the house. It is the first honest thing you say about yourself all day.
The belief
A wardrobe should be an extension of who you are, not a collection of garments.
Every commission moves through what Trina calls the fashion window, part fitting room and part honest mirror. Clients do not just leave with clothes. They leave with a clearer sense of how they want to show up in fashion and in life.
The most powerful thing a garment can do is permit. Permit the boldness you usually talk yourself out of. Permit the softness you do not show at work. Permit the version of you that only appears when the outfit is right.
MIRA
The studio anchor
Be you. Dress your alter ego.
On the runway
Three demanding stages. One honest point of view.
Each show sharpened the same idea. Couture does not need to whisper to feel elegant, and streetwear does not need to shout to feel powerful. It needs to fit the person wearing it honestly.
- 01New York Fashion Week
- 02AFRI Runway Experience, Canada
- 03Miami Swim Week
The four worlds of Mira
Different ways of showing up.
Dress the Part
Wardrobe engineering for whichever identity the moment demands, from the interview chair to the stage.
Runway Ready
Designed for maximum impact under maximum attention.
Street Couture
Couture level craft brought to the clothes that carry you through an ordinary Tuesday.
The studio promise
No moodboard templates. No rack pulled from a lookbook.
Every Mira By Trina piece is bespoke. Built around one person’s proportions, one person’s story and the version of themselves they are ready to meet in the mirror.
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